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Biography
Edward Lear (1812-1888)
Tekst/illustrasjoner:
Brigid McCauley/Edward Lear
Filosofiske spørsmål:
Øyvind Olsholt og Brigid McCauley
Sist oppdatert: 24. januar 2004
Edward
Lear was a man of many talents: illustrator, landscape painter,
travel writer, and poet. But it was his talent as a writer of nonsense
rhymes—known today as limericks—that he is best remembered
by generation after generation of children. Before the works of
Lear and Lewis Carroll were published, most literature written for
children was full of "commonsense",
and was intended to provide moral or didactic
instruction. Lear's limericks, on the other hand, could perhaps
be said to be the Victorian version of today's cartoon series, where
everyday "commonsense" was put to one side, and "nonsense"
was allowed to run
riot. It is mainly thanks to Edward Lear that the limerick is
still so popular, more than a hundred years after his death, not
only in English-speaking countries, but in many other countries
too.
Edward Lear – artist and writer

Edward Lear lived at the same time as another famous
writer, Lewis Carroll, best known for Alice in Wonderland
and other books written for children. Both of these writers lived
during the Victorian
age. Although
most people probably
think of the literature written during this period as rather serious
and solemn,
there were also writers who produced very light-hearted
and entertaining
works, among them Edward Lear and Lewis Carroll. (Illustration
from Alice in Wonderland)
Edward Lear was born in Highgate, England in 1812. He was the twentieth
(!) child of Jeremiah Lear, a London stockbroker,
and his wife Ann. Soon after Edward was born, his father lost most
of his money, and the family had to adapt
to a much lower standard
of living. At the age of six, Lear began to suffer from bouts
of epilepsy, and a few years later he began to experience
periods of acute depression. He continued to suffer from these and
other health problems for the rest of his life.
For much of his childhood, Lear was brought
up and educated
by his elder sister Ann. It was thanks to her that Lear was introduced
to both classical and modern literature, especially poetry,
and to drawing.
Already at the age of 15, he sold his poems and drawings to earn
some money.
As a young man, Lear began to earn
his living by illustrating scientific
books on birds, and later
on he became a landscape
painter. In fact, he became so well-known
that he was asked to give drawing lessons
to Queen Victoria herself! All the same, Lear's success as a landscape
painter was rather short-lived, and he gradually
became disillusioned
by the lack
of interest in his work.
The first edition
of A Book of Nonsense was published in 1846, and was a
collection
of both old limericks and new ones composed
by Lear himself. Two further editions were published
in 1855 and 1861. Lear also wrote travel
books that he illustrated himself, had books of his paintings
published, and exhibited
his own work at exhibitions in England. The Owl and the Pussycat
was the first of his nonsense songs to be published, in 1867.
Nonsense writing
Both Lewis Carroll and Edward Lear are representatives of a special
kind of writing that became very popular during the Victorian age
and was known as nonsense
literature. Lear published his first Book of Nonsense,
a collection of limericks for children, in 1846. Lear actually referred
to his own poems as "nonsense,
pure and absolute". In fact, Lear himself never used the
term "limerick", but called his poems nonsense
rhymes. The term "limerick" did not actually become
popular until around the time of Lear's death, and exactly how this
name came into use is still a mystery to this day.
The limerick (as we call it today), or a form very similar
to it, had already existed for several hundred years before Lear
produced A Book of Nonsense, and some books containing
limericks had already been printed before Lear's time. What made
his books so popular, however,
were the size
of the collections
and the novel
style of Lear's illustrations.
Although he was born in England, Lear actually spent
most of his adult
life travelling abroad,
particularly
to the Mediterranean
countries. On his travels he drew landscapes and animals, particularly
birds. In fact, one of Brazil's rarest
birds was named after him! This happened after Lear, on a trip to
Brazil, happened to paint it, not
realising that he was painting a species
that until then had not been identified!
He eventually bought
some land and built a house in San Remo in Italy, where he died
in 1888 at the age of 75.
Suggested topics for philosophical discussion
- The meaning of literature
Why do you think Edward Lear and Lewis Carroll wrote "nonsense
literature"? Was it because they needed to cheer
themselves up? Or was it a reaction to the society
in which they lived? Or was it because they had nothing better
to do? Do you think Lear's limericks and poems are funny? Do
you think this is important
literature? What do people mean by the term "important
literature"? And who decides what is important literature
and what is not?
- Exercise: What is nonsense?
Suppose a friend of yours has listened carefully to something
you have said, and then suddenly exclaims:
"This is pure
nonsense!"
What could your friend possibly mean by this?
– That he/she does not know what you are talking about?
– That he/she does not understand what you just said?
– That no one can understand what you just said?
– That he/she thinks that what you said was boring?
Can you think of more possible meanings? What could your friend
say if he/she liked what you said? Can you think of
any words that mean the opposite of "nonsense"?
- Other people's approval
Lear gradually lost interest in landscape painting because he
felt that his work was not appreciated
by others. Can you understand him? Would you work with something
that no one, or only a few people, took an interest in? Why,
or why not? Do you think there are people who would continue
to do something they enjoyed regardless
of what other people said?
- Identifying things and making lists
When Lear was in Brazil, he painted a rare
bird that had not been identified before. When we identify
things (especially in the sciences), we give them names and
put the names in lists. Then we arrange the names and the lists
into some kind of logical order.
Have you ever made lists of things that you have "identified"?
For example: your clothes, your books, your letters, your Christmas
presents, trees in the park, pupils at your school, words on
a sheet
of paper, pictures and posters in your room? If so, how
did you arrange the lists? What did you learn from making these
lists?
Is it possible
to identify everything in the whole world, or are there some
things that are impossible
to identify?
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